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you are using an unsupported version of internet explorer. please upgrade your browser for the best user experience on our site. thank you. back to bedruthan, 2016 sarah adams, ‘sunlight at diggory’s’, oil on linen, 60 x 140 cm july 14, 2016 published in exhibitions watergate and tregurrian, 2016 sarah adams, ‘tregurrian 2’, oil on linen, 60 x 140 cm sarah adams, ‘arch at tregurrian’, oil on linen, 120 x 120 cm sarah adams, ‘arch and cliff at tregurrian’, oil on linen, 120 x 120 cm sarah adams, ‘tregurrian arch, south side panorama’, oil on linen, 50 x 120 cm sarah adams, ‘betrothal arch’, oil on linen, 50 x 120 cm july 14, 2016 published in caves and arches waterfall cave, chapel porth, 2014 -16 sarah adams, ‘labyrinth’, oil on linen, 140 x 140 cm sarah adams, ‘chapel porth diagonal’, oil on linen, 120 x 80 cm sarah adams, ‘behind the waterfall’, oil on linen, 150 x 140 cm sarah adams, ‘cave system at chapel porth’, oil on linen, 140 x 120 cm july 14, 2016 published in caves and arches polzeath 2014 sarah adams, ‘polzeath to pentire’, oil on linen, 75 x 225 cm july 14, 2016 published in exhibitions bedruthan 2014 sarah adams, ‘carnewas, warm light’, oil on linen, 120 x 120 cm sarah adams, ‘rock formation at diggory’s’, oil on linen, 70 x 170 cm july 14, 2016 published in uncategorized newtrain to porthmissen, 2014 sarah adams, ‘porthmissen, summer morning’, oil on linen, 70 x 170 cm sarah adams, ‘revelation, newtrain’, oil on linen, 70 x 100 cm sarah adams, ‘porthmissen, uplit’, oil on linen, 100 x 100 cm july 14, 2016 published in uncategorized porthmissen and marble cliff, trevone 2012 sarah adams, porthmissen, morning, oil on linen, 120 x 120 cm . sarah adams, porthmissen, oblique, oil on linen, 50 x 120 cm . sarah adams, marble cliff panorama, oil on linen, 50 x 150 cm . sarah adams, marble cliff, oil on linen, 170 x 170 cm . february 28, 2013 published in uncategorized paintings of chapel porth, 2012-13 sarah adams, chaple porth, quartze, oxides, mudstone, oil on linen, 120 x 120 cm . sarah adams, chapel porth, summer, oil on linen, 100 x 100 cm . sarah adams, waterfall cave, oil on linen, 75 x 225 cm . sarah adams, chapel porth ii, oil on linen, 50 x 120 cm . february 28, 2013 published in caves and arches a new book by andrew lambirth a sea view charts the artist’s first encounter with a new and beguiling subject, and follows her progress as she explores the coast near her studio in padstow, from initial sketchbook drawings and working notes, through oil sketches and studies, to the finished work. the prominent art historian and critic andrew lambirth discusses the latest work by sarah adams in the context of her early influences and past practice, and the book concludes with a conversation between author and artist on adams’ methods and technique. ‘the whole process is a visual one of intense subtlety, and not easily reduced to words. but somehow, by the choice of what she depicts and the way she paints it, adams inspires us to look anew at our world and reconsider our place within it’. andrew lambirth a sea view will be published by halstar in april 2013, at a retail price of £39.99. it will be a large format (260 x 270 mm) hardback book of 144 pages, with 157 colour plates and 12 b&w photographs. february 28, 2013 published in caves and arches , coastal landscapes older posts website design by coolgrey biography statement contact t he p adstow s tudio back to top satatement statement growing up in landlocked berkshire my early experiences of the seaside were on family holidays, and that first glimpse of the sea after an interminable car journey was always something miraculous. on the beach a magical world of pristine sand, pebbles and shells, pools and streams awaited us. it was never static. you could build a sand castle and see the tide trickle into the moat before going back for tea, exhausted. the next morning we would return to find the beach refreshed, and the adventure began again. a move to the channel isles in my early teens made the sea a constant presence, and as a landscape painter it has come to dominate my work as well. my father was a master builder. i still have his drawing board and some of his wood working tools, and i probably inherited his love of construction, too. as a child i emulated him by endlessly drawing plans for houses or making camps in the woods, but architecture also featured heavily in my college work, particularly the shapes and textures of buildings in a state of decay. i began to travel about in search of subjects, and london provided them. just beyond the woolwich ferry terminal on the north side of the thames there were several acres of brown field wilderness, punctuated by the remnants of industrial buildings, a no-mans-land of vaguely threatening space and silence. these structures had a drama and romance about them and as an art student i went draw there at weekends. on one occasion i was sketching, perched on a folding stool in the middle of a wide cinder track, when a chapter of bikers came roaring toward me. they circled a few times, and then pulled up, dismounted and strode over. as i sat there, thoroughly intimidated, the scariest one of all spoke: “do you mind if i have a look at your drawing? i like to do a bit of painting in my spare time.” working on site has its hazards. the sea caves of cornwall occupy a very different sort of wilderness, but they are no less intimidating. they are also architectural, a rugged atlantis rising from beneath the waves. piranesi might have felt quite at home on this coast, where crumbling triumphal arches and vaulted ceilings seem to mimic the romantic ruins of classical antiquity. twists and spirals are set against sheer walls of stone all in glorious ragged decay, and thrift and sea campion grow wherever they can. each section has a particular character, dictated by localised formations and geology. viewed through the grey arches of porthmissen, a series of strata known as marble cliff loom up and catch the light; a pocket of limestone tipped upside down and weathered, the ledges are now home to nesting fulmars. less than a mile away, elephant hole is completely different. boulders of quartz have gradually worn it smooth, and the rock varies from green ochre through cool mid-grey to an improbable reddish purple. from stepper point to st. ives the cliffs are generally variants of the cornish ‘killas’, a series of slates, grits and mudstones laid down in shallow seas in the devonian period. volcanic activity has also left its mark and they are often shot through with mineral deposits. they have endured 400 million years of intense pressure, leaving them compressed, inverted, buckled and shattered. carnewas island is part of a short coastal outcrop of the staddon grit formation, in which the mudstones are interleaved with tougher sandstones. if you walk through the tunnel that runs beneath it on a low spring tide, the next promontory also has a cave cut through. about the size of an old cinema, the entrance and interior are framed by monumental, pearlescent silicates, stained red and yellow by oxides leached from the rocks above. i have nicknamed it the carnewas odeon, but it is far grander than your average flea pit. nearby bedruthan was mined for tin, copper and lead in the 18th and 19th centuries, as was much of this county. a few miles further south, the cliffs above chapel porth are dominated by the remnants of wheal coates tin mine. the adits beneath it can also be reached from the beach at low tide, via a sea cave. at first it opens up, quiet and calm, lit from high above by a second opening. go deeper still and you are walking on a stream bed, the cave walls narrow to within an arm span and the rushing water becomes deafening. just past land’s end the landscape is completely different. the whole peninsula is composed of granite, and nanjizal glows orange-pink, richly patterned with huge feldspar crystals and again, rich in mineral deposits of to

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Domain name:
sarahadamspainting.co.uk

Registrant:
Pelican Graphics

Registrant type:
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Registrant's address:
Pelican Graphics , 38 Daniell Road
Truro
cornwall
TR1 2DA
United Kingdom

Data validation:
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Registrar:
Fasthosts Internet Ltd [Tag = LIVEDOMAINS]
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Relevant dates:
Registered on: 09-Apr-2010
Expiry date: 09-Apr-2018
Last updated: 10-Mar-2017

Registration status:
Registered until expiry date.

Name servers:
ns1.livedns.co.uk 213.171.192.250
ns2.livedns.co.uk 213.171.193.250
ns3.livedns.co.uk 213.171.192.254

WHOIS lookup made at 17:18:44 06-Oct-2017

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  PORT 43

  TYPE domain

OWNER

  ORGANIZATION Pelican Graphics

TYPE
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ADDRESS
Pelican Graphics , 38 Daniell Road
Truro
cornwall
TR1 2DA
United Kingdom
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DOMAIN

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  CREATED 2010-04-09

  CHANGED 2017-03-10

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  NAME sarahadamspainting.co.uk

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